Friday, September 20, 2019

2019 Moon Viewing Haiku Contest Winners

SJG - 9/13/19 - Moon viewing - otsukimi


by Michael Dylan Welch
pics by Tony, except the very top and bottom ones (by aleks)

2019 Moon Viewing Haiku Contest


         Judged on Friday by Michelle Schaefer and Michael Dylan Welch
         Judged on Saturday by Tanya McDonald and Michael Dylan Welch

In 2019, for the first time, the Seattle Japanese Garden’s annual moon viewing festival took place over two nights instead of one—on Friday, September 13, and Saturday, September 14, 2019. We received 80 entries the first night, and 96 the second night, for a total of 176 entries. The moon itself, our honored guest, seemed content to stay hidden behind clouds. The following are our selections for both nights. On the Saturday evening, many participants wrote about a heron that perched on stones at the pond’s edge for an hour or more, sometime preening. We selected poems for their clarity, freshness, sometimes humor, and for evocatively portraying the moon, even if we couldn’t see it. First prize both nights was a garden membership and T-shirt. Second prize was a T-shirt and garden postcards, and third prize was postcards. Our congratulations to each of the winners, and to everyone who tried their hand at writing haiku, and our gratitude to the Seattle Japanese Garden for its ongoing support of haiku through these annual contests.

For more information about Haiku Northwest, which meets monthly in the Seattle area, and holds an annual haiku retreat, please visit www.haikunorthwest.org.


SJG - 9/13/19 - Moon viewing - otsukimi


Friday, September 13, 2019


First Place

the harvest moon
inspires us to come out—
whether it does or not

         Bill McGee                                                                                             


Second Place

paper lanterns glow
I’m walking with you tonight
hoping for moonlight

         Tim Flowers                                                                                          


Third Place

mouths open—
orange and black koi
wait to swallow the moon

         Meg Pearson                                                                                        

SJG - 9/13/19 - Moon viewing - otsukimi. Very large Indigo Array, a site specific collaborative installation  by Spit Shot Collaborative (splitshot.org) and Botanical Colors (botanicalcolors.com). An array of fabric planes dyed with botanically derived indigo is suspended high in the pines of SJG and backlit with high-powered lighting, evoking a celestial phenomenon of unknown origin


Honorable Mentions
(in alphabetical order by last name)


these fireflies dance
on a stage of cloudy skies
a hundred small moons

         Victor Aque


wind ripples the moonlit water
I stroll in a dance
with my shadow

         Barbara Blakistone


faces upturned to catch
the shining glow from the moon
disappointed by gray clouds

         Stacey Giard

 
SJG - 9/13/19 - Moon viewing - otsukimi

summer nights . . .
children playing
moon watching

         Tarun Gopinath


full moon looms large and gray
above Seattle’s clouds
—I assume

         Iain Heath


you on one continent
me on another
see the same moon

         Zanny Milo

 
SJG - 9/13/19 - Moon viewing - otsukimi. Okinawan Music and Dance by Mako & Manjuru

bright silver above—
the scent of water heavy
in the cooling air

         Stephanie Morris


grey skies—
the promise of the moon
waiting to be uncovered

         Paul Pietromonaco


we waited all week
to gaze upon the full moon
but alas the clouds

         Laura Templeton

 
SJG - 9/13/19 - Moon viewing - otsukimi


Saturday, September 14, 2019


First Place

the heron grooms—
he must look his best
for the harvest moon

         Erica J. Thomas                                                                                  


Second Place

music coaxes
the moon
heron closes his eyes

         Gwen Stamm                                                                                       


Third Place

another moon viewing
and only
cloud viewing

         Joan Stamm                                                                                         

 
SJG - 9/13/19 - Moon viewing - otsukimi

Honorable Mentions
(in alphabetical order by last name)


cedar and hemlock
whispering in the moon’s light
their silent secrets

         David Blatner


treetops rustle   gentle wind
beckoning moonbeams,
come out to play

         Jeanne Boland


red moss seems fragile
friends whisper while walking near
we see our moon bright

         Michelle Hanson

 
SJG - 9/13/19 - Moon viewing - otsukimi

in autumn I mourn
the slow dimming of the light
oh moon, take over

         Marilyn Layton


ripples skitter
beneath the heron’s wings
the moon hides her face

         Brooke Leary


mid-autumn night—
the moonlight
flowing through my fingers

         Ying Lou

 
SJG - 9/13/19 - Moon viewing - otsukimi. Boat launching: boats made by our Gardeners and Jessa

why does the moon hide
behind the clouds
maybe because it’s shy

         Lucy Pierson (age 7)


even the heron
awaits
the moon

         Joan Stamm


tea bento and boats
watching the lonely moon sigh
making new friends

         Aiswarya Vegaraju


spider eggs—
like tiny moons
clustered on the leaves

         Brandon Wagner

SJG - 9/13/19 - Moon viewing - otsukimi. Participants of the Tea Ceremony launch boats afterwords...


Friday, August 23, 2019

Smithsonian Scientists Are Using Ginkgo Leaves to Study Climate Change—They Need Your Help

from:
SMITHSONIAN.COM | Aug. 6, 2019, 10:38 a.m.

BY MEILAN SOLLY
The next time you venture into the great outdoors, keep an eye out for Ginkgo biloba trees, which can be easily identified by their distinctive fan-shaped leaves. If you find one—and you likely will, as the native Chinese plant is now ubiquitious in the United States—take a moment to pluck a few leaves, snap some photographs of the scene, and record your observations via the iNaturalist mobile app. Then, package your sample in an envelope, drop it into the mailbox, and give yourself a pat on the back. Congratulations: You’ve just become a citizen scientist, helping researchers at the Smithsonian’s National Museum of Natural History use ginkgo leaves to study the past, present and future of climate change.

Read more: https://www.smithsonianmag.com/smithsonian-institution/smithsonian-scientists-use-ginkgo-leaves-study-climate-change-they-need-your-help-180972806/#qu2qC6U3fsBKiLAX.99

SJG late fall 2016 - yellow gingko trees rflected in the pond

Wednesday, July 31, 2019

A private perspective about a potential future of the Seattle Japanese Garden

By Koichi Kobayashi


The following is a private perspective about a potential future of Japanese Garden, master designed by Juki Iida at the UW Arboretum in the Washington Park, Seattle.

Many Japanese Gardens abroad have been going through considerable change through renovation, expansion and new construction lately. A large number of them have been designed to accommodate ever expansion of art, cultural and other activities mainly associated with gardens.


My proposal as exhibited here for our garden is based on the following assumptions:

1. There is a continuing wish to complete the original master plan with  siting a new  lake view pavilion on the north shoreline.

2. Floor space to accommodate further activities is needed. New set of buildings comparable to expanded section of Portland Japanese Garden could be sited on the east side of the existing parking area with modification.

3. Additional garden with a different style(s) is needed to accommodate expanding visitors. Area east of the cherry orchard could be developed for this.


The following sets of drawing address these assumptions and are exhibiting as my perspective and proposal. [Some of the drawings are included in this post; for the complete set of 27 drawings click here]

This presentation had been discussed with a number of members of Arboretum Foundation, Park Department, Seattle Japanese Garden Society over the last number of years as my and Tom Brooke's private proposal.


Nothing has come out of this and no official approval, just a private proposal.

 Koichi Kobayashi   
小林 竑一 

Honorary Professor
Eimei University, San Mateo, California
Adjunct Professor
Nagasaki University, Nagasaki, Japan

Principal of Kobayashi Design
Landscape Architecture, Urban and Garden Design
Seattle, WA. USA

Thursday, July 25, 2019

BUTOH: Wandering & Wondering: Kubota Garden July 28th, Seattle Japanese Garden August 1st


free site-specific performances & photo exhibitions
encounter performers dispersed in surprising locations
as they engage in a minute-by-minute response to all the
scents, sounds, sights and sensations of the gardens

directed by Joan Laage (Kogut Butoh) 
with music by Gyre

July 28     12-3 pm
Kubota Garden
9817 55th Avenue South Seattle,WA 98118

August 1  3:30-6:30 pm
Seattle Japanese Garden
1075 Lake Washington Blvd E, Seattle, WA 98112
• • • • • 
Photo Exhibitions:
July 1 – August 31
Fresh Flours
6015 Phinney Ave N, Seattle, WA, 98103
Opening: July 5  4-5 pm 
August 1 – September 30
Seattle Japanese Garden
1075 Lake Washington Blvd E, Seattle, WA 98112
Opening: August 1  3:30-6:30 pm

Tuesday, October 30, 2018

Butoh Training at JCCCW this November

Seattle-based Joan Laage is pleased to be offering Butoh Training at JCCCW. The sessions will be held on Tuesday evenings November 6-December 4 from 7:30-9:30 pm.

Photo: Jim Coleman

The first class is free and following classes $15 each session. No experience necessary. This class series is sponsored by DAIPANbutoh Collective which is a Shunpike partner.
Register by contacting Joan: davidthornbrugh@hotmail.com


Embodying the Spirit: Butoh Training
Taught by Joan Laage (Kogut Butoh)
“The body finds its way…”

Experience training methods towards a supple body/mind and investigate aesthetics common to butoh through creative explorations. This workshop is a process of erasing and re-creating the body through guided improvisation largely inspired by nature imagery. ETS explores endless questions: What is life? What is the human condition? What is the body? How can we experience infinity within the body/mind?

The workshop structure includes exercises and explorations of physical body, nature body, and transforming body.  Group and partner work will facilitate participants’ individual and collective journeys. The workshop draws from Joan’s training with Butoh Masters Kazuo Ohno, Yoko Ashikawa (the major disciple of Butoh’s founder Tatsumi Hijikata) and her background as a Tai Chi practitioner and professional gardener.

After studying with Butoh masters Kazuo Ohno and Yoko Ashikawa in Tokyo in the late 80s and performing with Ashikawa’s group Gnome, Joan Laage settled in Seattle and founded Dappin’ Butoh in 1990. She is a co-founder of DAIPANbutoh Collective, which produces an annual Butoh festival. Joan performed at the New York, Chicago, Portland, Boulder, Seattle, Paris and Santiago (Chile) Butoh festivals, and a Butoh symposium at the University of California (LA). A Ph.D. in Dance & Related Arts from Texas Woman’s University and Certified Movement Analyst, she is featured in Sondra Fraleigh’s books – Dancing into Darkness: Butoh, Zen, and Japan and Butoh: Metamorphic Dance and Global Alchemy. She creates site-specific work for Seattle Japanese gardens annually and tours every winter/spring in Europe. She is an avid Tai Chi practitioner with a background in Asian dance/theater. Since living in Krakow 2004–2006, she has been known as Kogut (rooster). www.seattlebutoh-laage.com; www.daipanbutoh.com

Wednesday, August 29, 2018

お月見 (otsukimi) • 2018 Moon Viewing Haiku Contest

SJG • 8/25/18 -'Moon', lighting art by Yuri Kinoshita, at the entrance courtyard

Judged by Tanya McDonald and Michael Dylan Welch, Haiku Northwest

Out of 172 entries, we’ve selected the following winners for the 2018 Moon Viewing Haiku Contest, held at the Seattle Japanese Garden on Saturday, 25 August 2018. Many participants wrote about the hazy smoke in the sky from recent forest fires. We chose a mix of poems for their freshness, clarity, and sometimes humor. First prize is an individual garden membership and a garden T-shirt. Second prize a garden T-shirt and garden postcards. And third prize is garden postcards. Congratulations to all the winners for their poems, and to everyone who participated in celebrating the moon even if we couldn’t see it through smoke-hazy skies.


SJG • 8/25/18 - sound installation by Paul Kikuchi throughout the garden in the twilight - a live performance using historic 78rpm record collection and computer. The artist recorded different sounds in the garden and is mixing them with music


First Place

brightly the moon
makes milk of water
drops on a turtle’s shell

                  Tiffany Jenkins

Second Place

smoky air—
my beautiful wife looking at the sky
waiting for the moon

                  Daifu Ye

Third Place

in my inbox
message from the full moon:
—not coming tonight!

                  Aleksandra Monk

 
SJG • 8/25/18 

Honorable Mentions
(in alphabetical order by last name)

my feet hurt
my eyes are tired
oh! the moon!

                  Bill Bridges

even the rabbit pauses
to view the harvest moon

                  Bill Bridges

SJG • 8/25/18 - Three tea ceremonies were held in the Shoseian Teahouse 

round with child
she crosses the garden bridge
waxing August moon

                  Barbie Brooking

shy moon
hides behind clouds
patiently, we wait

                  Bryant Cabanatan

it’s for your safety
ropes obstructing normal paths
under the moonlight

                  CCR Studios

SJG • 8/25/18 - after tea ceremony, attendants launch boats

pink smoke
obscures the moon and more
somewhere trees are burning

                  Elise Fogel

deep sigh—
stop breathing so loudly
I’m trying to think about the moon

                  Kate Griffith

hey moon,
don’t hide from the smoky air
we want to see your beauty

                  Sze Man Li
 
SJG • 8/25/18 - Traditional Japanese Fujima Fujimine dancer

Jeff Bezos' house
& tents of the homeless
under the same full moon

                  Aleksandra Monk

the red moon blooms
I hold your hand
and feel your warmth

                  Corinne Scrivens

a full August moon
my footsteps in the gravel
sound like cicadas

                  Jair Trejo

SJG • 8/25/18 - Haiku on Sticks installation throughout the Garden,
by Haiku Northwest

SJG • 8/25/18 - Haiku contest station:
Judges Tanya McDonald and Michael Dylan Welch, Haiku Northwest


SJG • 8/25/18 - 'Morning Glory / Asagao'  lighting art by Yuri Kinoshita, under the wisteria arbor